翻訳と辞書
Words near each other
・ You for Me
・ You Forgot It in People
・ You Found Me
・ You Gave Me a Mountain
・ You Gave Me Freedom
・ You Gave Me Love (When Nobody Gave Me a Prayer)
・ You Gave Me the Answer
・ You Get It, Man
・ You Get Me
・ You Get More Bounce with Curtis Counce!
・ You Get What You Give
・ You Get What You Give (album)
・ You Gets No Love
・ You Give Good Love
・ You Give Love a Bad Name
You Give Love a Bad Name (album)
・ You Give Love a Bad Name (song)
・ You Give Me Something
・ You Give Me Something (Jamiroquai song)
・ You Go First (Do You Wanna Kiss)
・ You Go Now
・ You Go to My Head
・ You Go to My Head (album)
・ You Go Your Way
・ You Go Your Way (Alan Jackson song)
・ You Gonna Fly
・ You Got F'd in the A
・ You Got It
・ You Got It (album)
・ You Got It (disambiguation)


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You Give Love a Bad Name (album) : ウィキペディア英語版
You Give Love a Bad Name (album)

''You Give Love a Bad Name'' is the third studio album by the transgressive American punk rock musician GG Allin, and is jointly credited to Allin and a one-time studio band named The Holy Men. Reissues credit the release mistakenly to GG Allin & The Criminal Quartet.
The album was the first to fully mark a distinct change in his vocal tone, which by this time began to take on a slurred and gravelly characteristic, and increasing obsession with shock rock lyrical content.
==History==
After the release of the ''Hated in the Nation'' compilation cassette by ROIR, as well as a series of letters written by Allin to such magazines as ''Maximum RockNRoll'' and ''Flipside'',and advertising campaigns in many music magazines and fanzines like Option, Flipside, RIP, ''Ben is Dead'' and many others by Black & Blue Records, Allin's stature in the punk rock underground had grown considerably. However, Allin's uncompromising, and increasingly transgressive performances, and his tendency towards extremely lowbrow lyrics, made him an unlikely prospect not only for major labels, but also for many of the independent labels like SST, Touch and Go, and Alternative Tentacles. Allin had parted with his previous label, Black and Blue Records once he signed with Homestead Records with Yarmouth's blessings.The goal was to get GG on a major label and both GG and Yarmouth felt Homestead was a good first step in getting there versus the small RI based label. Yarmouth is quoted "GG loved to trash any perceived or real authority including his record labels. I recall one show at The Populous Pudding in CT after the release of his second Homestead release where backstage GG pissed on my leg and yelled proudly that he now had pissed on both his labels. He said he pissed on Cosley's head. GG was that kind of guy. Back in the early days I spent a lot of money advertising GG in music publications. No label after Black & Blue had to sell an unknown artist." Peter Yarmouth 4-25-2007
Enter Gerard Cosloy, who had already played rhythm guitar with Allin on the "new" recordings on ''Hated in the Nation''. Cosloy operated Homestead Records through a deal with record distributor Dutch East India, and had released records by Big Black, Sonic Youth and Dinosaur Jr before those bands left for greener pastures. With room on the roster and a desire to work with Allin again, Cosloy courted the shock-rocker. Allin agreed almost immediately. Homestead would be the biggest label Allin would deal with up until this time.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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